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Inside Knight of the Seven Kingdoms’ ‘most bad-ass f-ing battle ever’

Admin by Admin
February 16, 2026
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“Within the Identify of the Mom,” episode 5 of the Recreation of Thrones prequel miniseries A Knight of the Seven Kingdoms, facilities on one lengthy, brutal battle. After defending a commoner from the merciless Prince Aerion Targaryen (Finn Bennett), collection protagonist Ser Duncan the Tall (Peter Claffey) is pressured to defend his life within the Trial of Seven, a vicious, bloody affair that pits two groups of seven knights towards one another in a muddy, foggy enviornment. Many battle sequences within the Recreation of Thrones franchise have been extra epic, however this one is extremely private. It facilities on Dunk’s fragmented, restricted view of the battle, as he will get knocked round to the purpose the place he can barely comply with the bigger motion. A number of first-person pictures even come from inside Dunk’s helm, exhibiting how frighteningly restricted his view of the battlefield is when he’s in full armor.

“The through-the-helmet shot was essential for us, as a result of we needed as a lot as potential to remain, as we all the time have been, in Dunk’s POV,” showrunner Ira Parker instructed Polygon at a press day. “Issues change for you very drastically if you placed on a helmet, if you placed on 60 kilos of metallic armor, when it’s a must to do that on a horse, when it’s a must to do it together with your peripheral imaginative and prescient knocked right down to nothing, when unexpectedly, your respiratory is near you within this [armor]. Your coronary heart is racing since you’re so nervous, so you’ll be able to’t catch your breath.”

We needed the viewers to be preventing.

The primary-person pictures are supposed to make the viewers really feel the burden of the menace Dunk is dealing with.

“Dunk is our single POV character,” Parker says. “We needed the viewers to be in that battle with him — we needed the viewers to be preventing.”

That close-quarters concentrate on Dunk’s perspective makes for an immersive expertise, and it straight displays how George R.R. Martin wrote the battle scene in The Hedge Knight, the novella the primary season of A Knight of the Seven Kingdoms is adapting. At a number of factors in Hedge Knight, Martin mentions Dunk’s restricted imaginative and prescient by means of his helm’s eye-slit. However portraying the fight by means of Dunk’s eyes additionally helped Parker stage a battle sequence on a a lot smaller price range than Recreation of Thrones or its different prequel spin-off, Home of the Dragon.

Peter Claffey on horseback in full helm and armor as Dunk in A Knight of the Seven Kingdoms Photograph: Steffan Hill/HBO

“It is humorous how not having any cash simply forces you to seek out actually cool, inventive methods [of storytelling] that possibly you would not have come to utterly for those who had simply had the power to spend, spend, spend,” he says.

That creativity additionally included masking a number of the Trial of Seven with heavy fog, which seems to be dramatic on-screen but in addition limits how far the viewers can see outdoors of the Ashford Meadow tourney area the place the battle takes place. That aspect was additionally taken straight from The Hedge Knight.

We do not have some huge cash on this present.

“Canonically, a fog rolls into Ashford on the morning of that tourney. That was essential for us to symbolize, because it descends on these lists,” Parker says. “And does it make for essentially the most bad-ass take a look at a fucking battle ever? You guess! However we took it from the novella. We have been utilizing issues that have been applicable and that George spoke of — operate over type.”

Parker admits that the Seven Kingdoms crew additionally “embellished” the fog to disguise a few of his price range limitations — notably the scale of the group watching the Trial of Seven, which Martin describes as a whole bunch of onlookers.

“We do not have some huge cash on this present,” Parker says. “We’ve a couple of quarter for each greenback for a Westeros minute of earlier reveals. So we needed to be cautious how we hid issues, and the way we made it really feel like we weren’t hiding issues. [Putting] you in Dunk’s POV, we allow you to concentrate on what we wish you to be specializing in, moderately than [on us] not having 10,000 [people in the] crowd, such as you most likely would have at a Coachella/Glastonbury sort event scenario right here.”

Episodes 1-5 of A Knight of the Seven Kingdoms can be found on HBO Max now. The season finale airs on Sunday, Feb. 22.

Tags: badassfightfingKingdomsKnight
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